Yuan Goang-Ming's "Dwelling" (2014) (Photo: courtesy the artist)
Cover Yuan Goang-Ming's "Dwelling" (2014) (Photo: courtesy the artist)

Running alongside the Venice Biennale, these exhibitions feature works by Asian artists, from MF Husain to Zeng Fanzhi

With the 60th edition of Venice Biennale opening on April 20, the art world has descended upon Italy’s city of canals. Along with the presentation of national pavilions, the main exhibition at this year’s show is Foreigners Everywhere, curated by Adriano Pedrosa, the artistic director of the São Paulo Museum of Art.

While Venice Biennale serves as the primary attraction for Venice-bound art enthusiasts and general tourists alike during this time, for a true immersion into Venice’s rich art scene, it’s worth checking out some of the other ongoing exhibitions which run parallel to the biennale.

Often installed in historic venues such as former palazzos and medieval churches, these shows are a must-visit if you find yourself in Venice this summer. This year, the Asian presence in Venice is even larger, with several Asian institutions staging special exhibitions running alongside the biennale. Here are our picks of seven best exhibitions featuring artists from Asia or of Asian descent to check out in Venice.

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1. Shahzia Sikander, ‘Collective Behavior’

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Shahzia Sikander's "Arose" (2020) (Photo: Joel S. Pizzuti, courtesy the artist)
Above Shahzia Sikander's "Arose" (2020) (Photo: Joel S. Pizzuti, courtesy the artist)

Primarily known for putting her own distinctive post-colonial and feminist twist on South Asian miniature painting, Pakistani American artist Shahzia Sikander made a splash last year with her public project Havah . . . to breathe, air, life (2023), which featured two female sculptures, one emerging from a lotus on top of the Courthouse of the Appellate Division, First Department of the Supreme Court of the State of New York and another in similar figure in Madison Square Park. 

This year, the artist’s work will be featured in the Collective Behavior exhibition and is divided into three parts, each tracing her career trajectory. The first is Point of Departure, which examines her origins in miniature painting, the second is called The Feminine Space and it addresses the artist’s exploration of gender and body politics in her work, the third is Negotiated Landscapes and Contested Histories, which surveys her artistic response to South Asia’s complex colonial legacy. 

Together, the three segments are the most comprehensive presentation of the artist’s work thus far, and is co-organised by the Cincinnati Art Museum and the Cleveland Museum of Art, which will show an iteration of the Venice exhibition in 2025. 

Palazzo Soranzo Van Axel, April 20-October 20

2. Yu Hong, ‘Another One Bites the Dust’

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Installation view of Yu Hong's "Another one bites the dust" (Photo: George Darrell)
Above Installation view of Yu Hong's "Another one bites the dust" (Photo: George Darrell)

Taking its name from the 1980 hit song by popular band Queen, Another One Bites the Dust is painter Yu Hong’s first major solo exhibition in Europe.

Yu was a member of China’s New Generation artists, and is known for her realist painting style. For her Venice exhibition, Yu creates paintings based on images she finds on the internet, both real and imagined, that depict people in anguish. The works are framed in arched panels and round tondos and are evocative of religious architectural features—which gives a nod to the site in which they are housed: a medieval Venetian church. The exhibition is curated by Dr Alexandra Munroe, senior curator at large, global arts, Solomon R. Guggenheim Museum and Foundation.

Chiesetta della Misericordia, April 20-November 24

3. Zeng Fanzhi, ‘Near and Far/Now and Then’

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Zeng Fanzhi's "Water IX" (2019 - 2023) (Photo: courtesy the artist and LACMA)
Above Zeng Fanzhi's "Water IX" (2019 - 2023) (Photo: courtesy the artist and LACMA)

Zeng Fanzhi rose to prominence as one of China’s most eminent and defining painters because of his distinctive style fusing eastern and western modernist aesthetics that forms wide ranging subject matter from his iconic figurative mask series to stark landscapes. 

Near and Far/Now and Then features his recent bodies of work, such as abstract oil paintings and works referencing a combination of Christian, Buddhist, Daoist imagery which are made from ink, chalk, and gold dust on handmade paper. Co-curated by Los Angeles County Museum of Art (LACMA) director Michael Govan and the museum’s curator of Chinese, Stephen Little, it also includes an installation designed by architect Tadao Ando. 

Scuola Grande della Misericordia, April 17- September 30

4. Yoo Youngkuk, ‘A Journey to the Infinite’

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Yoo Youngkuk's "Work" (1965), (Photo: © Yoo Youngkuk Art Foundation)
Above Yoo Youngkuk's "Work" (1965), (Photo: © Yoo Youngkuk Art Foundation)

A collateral event of the Venice Biennale, Journey to the Infinite is late artist Yoo Youngkuk’s first solo exhibition in Europe and is curated by Kim Inhye. As a pioneer of geometric abstract painting, the artist left a significant mark on Korean art history, and the Venice exhibition will serve as a retrospective by featuring artworks which have never been seen outside Korea. 

More than 30 artworks will be on view, including copper prints and large-scale oil paintings, primarily from the ’60s and ’70s, a critical time in the painter’s career in which he fully dedicated himself to painting. A range of archival material charting the evolution of the artist’s career will also be on view.  

Fondazione Querini Stampalia, April 20-November 24

5. MF Husain, ‘Rooted Nomad’

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M.F Hussain's "Karbala" (1960) (Photo: courtesy Kiran Nadar Museum of Art)
Above M.F Hussain's "Karbala" (1960) (Photo: courtesy Kiran Nadar Museum of Art)

Celebrated Indian artist MF Husain was one of the first Indian artists to present his works at the 1955 Venice Biennale. Now the work of the late painter returns to Venice after almost 70 years.

Husain began his career painting posters for Bollywood films in the late 1930s, but quickly became known as the “Picasso of India” with his cubist-inspired and adapted forms which depicted both figurative and abstract subjects.

Rooted Nomad is founded in the concept of ‘yatra’ or journey, tracing that of the artist’s evolution. Highlights of the exhibition include works such as Yatra (1955), The Pull (1952), Blue Ganges (c.1966), and the first public display of his seminal piece Karbala (1990). Co-organised by the Kiran Nadar Museum of Art, and curated by the institution’s director, Roobina Karode, the presentation is part exhibition and part immersive experience that includes motion graphics, live action and animation, and draws upon nearly 160 of Husain’s works (all of which are part of KNMA’s collection).

Magazzino del Sale, April 18-November 

6. ‘The Spirits of Maritime Crossing’, Bangkok Art Biennale Foundation

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Still from "The Spirits of Maritime Crossing" (2022), performed by Marina Abramović and Pichet Klunchun, directed by Apinan Poshyananda,  (Photo: courtesy the Artists (c) Bangkok Art Biennale Foundation)
Above Still from "The Spirits of Maritime Crossing" (2022), performed by Marina Abramović and Pichet Klunchun, directed by Apinan Poshyananda, (Photo: courtesy the Artists (c) Bangkok Art Biennale Foundation)

Another collateral event of the Venice Biennale, The Spirits of Maritime Crossing is a group exhibition featuring artists from across Southeast Asia, all of whom use the idea of water to reflect on themes of displacement and diaspora. Curated by Dr Apinan Poshyananda, who also heads the curation of the Bangkok Art Biennale, the exhibition includes artworks by Thai artists Natee Utarit, Jakkai Siributr, Kawita Vatanajyankur, Malaysian artist Yee I-Lann, Cambodian artist Khvay Samnang, Burmese artist Moe Satt and Vietnamese artist Truong Cong Tun. 

An exhibition highlight is a new film made by dancer Pichet Klunchun, in which artist Marina Abramović travels from Venice to Bangkok, where her spirit encounters the Monkey King, played by Klunchun.

Palazzo Smith Mangilli Valmarana, April 20-November 24

7. Yuan Goang-Ming, ‘Everyday War’

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Yuan Goang-Ming's "Dwelling" (2014) (Photo: courtesy the artist)
Above Yuan Goang-Ming's "Dwelling" (2014) (Photo: courtesy the artist)

For his Venice presentation, pioneering Taiwanese video-artist Yang Goang-Ming will transform the exhibition venue into an immersive experience with sounds and explosions, mixed with national anthems and video works, including a new piece titled Flat World. Through this, Yang explores the living conditions of individuals experiencing unstable socio-political conditions, and tracks the gradual deterioration of our daily lives globally as a result of cyber-attacks, climate change and political upheavals. The exhibition is presented by Taipei Museum of Fine Arts. 

Palazzo delle Prigioni, April 20-November 24

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