Cover ‘A Human Concerto’ (Image: courtesy of GayBird)

‘A Human Concerto’ features AI humanoids that can sing in six octaves, far more than a human singer’s vocal range

Do you remember how in 2017 two artificial intelligence (AI) chatbots on Facebook allegedly invented a secret language to talk to each other? It led to a plethora of speculations at that time about if AI is finally becoming sentient. Six years later, these discussions still feel very relevant. 

In his latest multimedia musical production A Human Concerto—which runs from September 15 to 17—Hong Kong media artist Keith Leung, who goes by the name GayBird, explores these very questions. He does this through an onstage interaction between three human performers—an actor, a musician and himself—and eight AI humanoid installations, which appear in the form of projected human heads.

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Tatler Asia
Above GayBird and a robot performing onstage (Photo: courtesy of GayBird)

GayBird created these avatar heads with Unreal Engine MetaHuman, a cloud-based AI app that generates animated versions of photorealistic digital humans—complete with natural facial expressions—that can sing in vocal ranges beyond human capacity. The artist then used the Sovits AI software to create the humanoids’ voices, and text-to-speech software and ChatGPT to create the lyrics and songs. 

“In my production, sometimes the actor will have a dialogue with the AI human heads; sometimes the musician and I will play music and the AI humans will sing together,” he says. “Each show will be different [depending on how the live interactions turn out].”

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Tatler Asia
Above Emily Cheng, an artist who works with GayBird in this production (Photo: courtesy of GayBird)

GayBird, who has more than a decade’s experience as a composer and is known for his experimental music, says that the Cantonese saying “你係咪人黎㗎” (“Are you human?”) inspired him to explore what it takes to be a human being in an AI-dominated world. “Now, your identity and your soul are so ‘alive’ in the digital world. We depend on the virtual world so much that we [almost] live in it. So, what is human and what will become of humanity in the future?”

Driven by these questions, he started incorporating AI into his artistic practice last year, using it to generate ideas or push creative boundaries in a way human artists aren’t physically able to. For instance, in this production, the AI humanoids can sing in six octaves whereas the vocal range of a real singer is limited to less than four.

By pushing the boundaries of music-making through AI, GayBird wants his work to reflect the evolving creative landscape where technology and human talent can complement each other harmoniously. 

“For now, AI is still new to a lot of the people who think that it is a kind of gimmick. Everybody is using it to make their work more fun and interesting,” he says. “But [in time], we have to think about how to use AI and what it will bring us. The ‘how’ is what is truly important.”

From September 15 to 17. Hong Kong Cultural Centre

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