Cover Plates from the Abstract series by Francesca Colombo. Images courtesy of Francesca Colombo

In the second article of this series, we highlight the intriguing work of some of the women-led studios that we spotted at Maison&Objet in Paris. Here, Italian artist-designer Francesca Colombo tells us more about her dreamy drawings and new tableware designs

While Francesca Colombo was born in Italy, her international perspective has helped her to work nearly anywhere in the world. After years spent plying her trade as both an art director and artist, Colombo returned to Milan and opened her own studio in 2019 and started designing porcelain plates, on top of her mainstay in designing patterns for upholstery collections.

Known for her delicate style, the designer is the creative mind behind an eclectic mix of patterned wallpapers and fabrics. While Colombo has since become an acclaimed designer, she prefers to work on small-batch, on-demand collections rather than to sell in large-scale, mass-distribution initiatives, backed by the conviction that it is worthwhile to produce quality pieces that also minimise wastage.

Read more: The New Wave: How two friends started a designer rug brand

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Above Italian artist-designer Francesca Colombo in her studio

Each plate takes Colombo about a month to draw and design, depending on the technique and colours selected, and another month for the artisans to produce the samples. Here, she reveals insights into her creative process, and tells us more about her new speciality of tableware design.

Why did you decide to focus on homeware design?
After working for years for several fashion and interior companies, I felt the need to fully express my artistic and aesthetic values without any intermediation and to show my creativity 100 per cent. So, I decided to focus on hand drawing, and mixing colours and botanical elements together. I am always excited to see how a specific [colour] “works” and relates to others.

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Above Each of the plates designed by Colombo bears a beautiful digital reproduction of her drawings

How would you describe your style in a few adjectives?
Eclectic, colourful, chic, contemporary, and readable at a glance. My greatest passion is hand drawing; it is always interesting for me to create new designs. I really like how wallpaper is able to reproduce all the details of the original drawing, and with the highest colour fidelity.

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Photo 1 of 2 Colombo also designs upholstery textiles and wallpaper collections that similarly feature her illustrated work
Photo 2 of 2 Colour is a big focus of Francesca Colombo

Tell us more about your creative process.
It all starts with an idea; after this first intuitive and instinctive phase I start to think about the character of the design and the graphic elements that compose it according to the feeling I want to convey. [Then] the drawing phase begins: first with several sketches with various technical proofs, and then with the final design. In addition to spending a lot of time on the drawing part, I spend just as much time on the research and study of the colour of the new design. For me, both the drawing and the colour [selection] have exactly the same importance and are definitely recognisable features of my work. After these steps, I start thinking about how the design can work in harmony with the various shapes that are inside the dish service—I like that all the dishes in the set are always different from one another—and then I am ready to make the first samples in porcelain. The making of the samples is the last phase of the creative process. Thanks to the artisans’ know-how and artistic sensibility, they are able to understand the visual result that I want to achieve.

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Photo 1 of 3 Colombo enjoys drawing by hand the illustrations that she creates for tableware, wallpaper and upholstery fabrics
Photo 2 of 3 Tableware from the Landscape No 1 collection, which features various botanical motifs
Photo 3 of 3 A selection of more floral themed tableware by Colombo

Could you tell us about the sustainable focus of your work?
My way of being sustainable is very simple: we only produce in Italy on demand, without [holding] any stock. I focus on high-quality and durable collections. I hope my objects become the new [heirloom] accessories to be passed on from generation to generation.

What inspired your decision to focus on porcelain making?
Porcelain is a delicate and at the same time durable material. And I find this dual aspect of porcelain very fascinating: it is fragile and precious but at the same time easy to use every day.

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